Worlds collide in Water by the Spoonful, however, they do
not literally interact with each other.
One moment that stood out to me, in particular, was found at the end of
scene twelve on page 74 (on the kindle edition). The stage directions state that a policeman points a
flashlight on Orangutan and that bright beam ends up being seen in Yaz’s
world. We often symbolize the
bright white light with going to meet our maker. It is, essentially, an acceptance of death. Yaz sees this white light and realizes
that it is absolutely okay that Odessa has over-dosed because she will be
okay. She accepts and tells her to
go and that she loves her, just to get those final words in. The policeman is doing his literal job
by waking up Orangutan who is sleeping on the train station platform. Her acceptance is that she cannot be
disappointed again and she realizes that she needs to move on from her past and
accept that she does not need that family to be happy.
The
realities colliding indicate that no matter where these people are in the world
they have a connection. That
connection will be there and it is mainly because of Odessa that these people
are okay. She might not have
always been there for these people around her but she’s tried and she’s tried
to make it better. The light is
the connection between the two places – Japan and Philedelphia. These characters need a connection to
keep their hope and spirits alive and their addictions dead.
I don't personally think that the flashlight serves so much as a means to keep their addiction dead as it does just connecting them on some weird spiritual level. Have you ever had the feeling that something is happening to someone you know? And it turns out to be totally right? I think we were seeing that here. This non-physical connection between these people had grown so strong that they were able to connect with Odessa hundreds of miles away. This is more of what I interpreted the shared scene as anyway. Kind of that "Triumph of human bonds" across time and space. Very Whovian.
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